Fagiani was an important and energetic
member of the Vito Marcantonio Forum (VMF) and the Italian American Writers
Association.
As one of the VMF's founders, Fagiani was a prime mover
for the group, a presenter, a moderator of events and the man who
wrote “Litany for San Vito.” The poem was read at each and every
VMF event, oft-time in English, Spanish and Italian, by numerous
interpreters.
Fagiani was a model for the late-career
artist. His work was enjoying consistent publication by a variety of literary houses.
By 2014 the "New York Times" was ready to profile his life and work.
By 2014 the "New York Times" was ready to profile his life and work.
Fagiani's book, “Stone Walls” was published by Bordighera
Press in 2014. In that work, Gil administered a dose of Americana
with a twist. His 1950s childhood is recalled with the treats and
temptations of post-war prosperity and adolescence rendered in high
relief. Beneath the bucolic surface of suburban Connecticut the seeds
of a rebellion that will explode a decade later are germinating. The
poems are filled with the restlessness of the first generation born
after the bomb and portray the initial, impulsive steps toward
revolutionary sentiments.
In 2015, Guernica Press published
“Logos,” an in-depth, insider's look at the harrowing world of drug addiction and rehabilitation. In the pipeline is his latest, “Missing Madonnas,”
which will ensure that the poet speaks even though he has departed.
Fagiani also authored the poetic
volumes, “Rooks” (Rain Mountain Press, 2007), “Chianti in Connecticut” (Bordighera Press, 2010), “Serfs of Psychiatry,”
(Finishing Line Press, 2012), and “Grandpa's Wine” (Poets Wear
Prada, 2009).
"Marcantoniana" covered Gil's “A
Blanquito en El Barrio” (Rain Mountain Press, 2009), a lyric appreciation of East Harlem, five years ago. Here is that report, now, too soon, rendered a remembrance.
Gil was rolling along, writing away,
traveling in Europe with his wife, Queens poet laureate Maria Lisella, when he was stricken with an awful illness, against which he parried valiantly for a few months, before succumbing: a word we loathe to apply where this fighting, radical spirit is concerned.
He will rest in Woodlawn Cemetery, just
“a few steps away” from Vito Marcantonio and Fiorello La Guardia.
According to Maria, that was a dream of the poet's.
Gil Fagiani was soft-spoken, yet
outspoken, low-key, yet industrious, and kind in the extreme.
He did
not just write the books. He stood on multiple stages and told his
stories to audiences of flesh-and-bone people. Here is a recording of Gil reading from “Blanquito” back in May of 2015 at the Cornelia
Street Cafe. It is how we prefer to remember him.
A wake will be held April 15 from 2 p.m. to 5 p.m. and 7 p.m. to 9 p.m. at Quinn's Funeral Home, 35-20 Broadway, Long Island City, 11106. (718) 721-9200.
The funeral will be held April 16, 11 a.m. at Historic Woodlawn Cemetery, 4199 Webster Ave. and 233 St., Bronx, N.Y. 10470 (718) 920-0500.
A wake will be held April 15 from 2 p.m. to 5 p.m. and 7 p.m. to 9 p.m. at Quinn's Funeral Home, 35-20 Broadway, Long Island City, 11106. (718) 721-9200.
The funeral will be held April 16, 11 a.m. at Historic Woodlawn Cemetery, 4199 Webster Ave. and 233 St., Bronx, N.Y. 10470 (718) 920-0500.
Ciao Fagianella!
"The Goodfather (A Novel): "The Rising Fall of the Marvelous Marcantonio," can be found here: MARC LIVES!
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